Outside Big Bend, the desert does something to you. The heat, the stillness, the light hitting concrete and stone — we shot everything. Couldn't help it.

Marfa has a way of collecting people who are serious about what they make , you feel it in the shops, in the conversations, in the way nobody's trying too hard. It turned the creative part back up. The cattle were just a bonus.

A converted church in the Marigny, shot through our lens. Hotel Peter & Paul asked us to document the place as we saw it, so we did. Slow mornings, strong coffee, tile floors that have seen a hundred years of something. New Orleans doesn't perform for the camera. It just is.

An editorial captured for Studio McGee, centered on light, texture, and the quiet rhythm of a lived-in space. The work extended into a lifestyle guide, allowing the imagery to move naturally beyond the studio and into the pace of Laguna Beach.

An intimate look at Sabrosa, captured in Montréal with a focus on atmosphere, texture, and restraint. The imagery leans into quiet details, light on the table, thoughtful plating, and the rhythm of a space designed to be experienced slowly.

This was a personal shoot with Valentina while spending time in Cesena. There wasn’t a big concept—just a desire to slow down and notice the quiet beauty of Italy as it revealed itself.

A collaborative shoot with Washington Ballet for Tuckernuck, created around a shared appreciation for craft, movement, and tradition. Cashmere sweaters were gifted to the dancers, allowing the imagery to live at the intersection of softness and strength.

An editorial captured in Montréal, shaped by the city’s architecture, movement, and quiet elegance. The focus was on balance, structured silhouettes against softened moments, allowing the surroundings to guide the pace and tone.

A Palm Beach editorial shaped through art direction and collaboration. Captured by Jahn Chavez, the images lean into texture, tone, and a sense of play—kept simple, intentional, and light.

This was an intimate restaurant shoot at Cantina Veggiani, captured during an evening shaped by conversation, food, and shared presence. The focus was on the feeling of the space—hands at the table, light in motion and moments between friends.

This space holds a collection of projects shaped by collaboration, curiosity, and care. Each body of work reflects an ongoing practice of making things intentionally, paying attention to texture, feeling, and the quiet details that give an image its life.

Art direction for Barbour x Tuckernuck, captured in Middleburg and shaped by the landscape itself. The focus was on simplicity and ease, bringing together heritage, utility, and the quiet warmth of gathering outdoors.

This wedding was captured while spending time in Italy, surrounded by the stillness and warmth of Bagno di Romagna. The day unfolded slowly, shaped by the place as much as the people in it.

A visual pilgrimage through Emilia-Romagna and Milan, capturing Churches, street life, and fleeting moments of quiet beauty.

I shot still life and BTS for a Tuckernuck editorial at Zach Lake. It was one of those locations that makes you slow down, quiet, remote, and really calm. I spent the day tracking the light, textures, and the in-between moments.

This is the Spring Catalog project I worked on for Tuckernuck— I kept everything clean and product-forward, focusing on shape, texture, and the small details that make the shoes feel elevated fresh, polished, and still very Tuckernuck.